Liveness: Performance in a Mediatized CulturePsychology Press, 1999 - 179 páginas In Liveness Philip Auslander addresses what may be the single most important question facing all kinds of performance today: What is the status of live performance in a culture dominated by mass media? By looking at specific instances of live performance such as theatre, rock music, sport and courtroom testimony, Liveness offers penetrating insights into media culture. This provocative book tackles some of the enduring 'sacred truths' surrounding the high cultural status of the live event. |
Contenido
Live performance in a mediatized culture | 10 |
live performance simulation and | 61 |
law performance memory | 112 |
Conclusion | 158 |
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actors album American argue artists audience Auslander Baudrillard Beach Boys Beatles Benjamin broadcast camera Chapter choreography cinematic claim Clapton concept Confrontation Clause court courtroom cultural contexts cultural economy DeCosta defined derives discourse discussion distinction droit moral economy of repetition experience fact film Gracyk Grammy Grossberg Hendrix historical ibid inauthentic Jimi Hendrix judge jury lip-synching live and mediatized live event live performance live performance's mance mass mass media McCrystal mediatized culture mediatized forms mediatized performance mediatized representations medium memory Midler Milli Vanilli Monkees MTV Unplugged music industry music video musicians ontological performance theory Phelan play popular music present production protection PRVT question relationship replicate reproduction right of publicity rock and roll rock authenticity rock culture rock fans rock ideology rock music rock's simulation song sound recording stage status Steely Dan studio suggests symbolic capital technologies television testimony theatrical tion Vanilli visual witness